As a makeup artist, you are now considered a professional organization and everyone knows that the people who give the best help will continue to work in general. If you are having trouble starting your call, or have been on the market for quite some time and things have not improved, here are some tips that can have some impact. Although I can refer to cinema and the media, these standards apply to all workers, whether in music recordings, musical recordings, theater and prints.
1 - Always present yourself 15 minutes before the call. Reliability illuminates a lot for the individual. To start with, you should create an exceptional first connection and it will be a major one. Indicates to your manager that you are enthusiastic about your specialty and that you care about the activity for which you were recruited. The time is used to configure your workstation, investigate working days and ask all necessary questions before any capacity appears. It also allows you to focus, eat espresso and maybe a snack. Nerves do fun things inside the stomach. It is a good idea to install it with food. You may not be able to smell your breath, unlike the people in your seat. All the things that were considered, that's why they consider them the most important dinner of the day. If you need it, choose mint on gum.
2- Wearing suitable and clean work clothes and reasonable shoes. It should be seen for your work and not for clothes or lack of clothes on your back. Discovering normal clothes isn't the smartest decision. Likewise, be aware that your love for tattoos and the big piercing may not be appreciated by everyone, so hide or let go of what you can. In film and television, the day of filming lasts about twelve hours, without pre-calling and arranging until the end of the day. Most studios have concrete floors that disturb your knees and lower back. A simple criticism to spare them is to make a difference in shoes and socks. At lunch, change to the new collections and you'll be amazed at what the upholstery will do and your feet 'opportunity for inspiration. Likewise, if you shake the area, bring your rain boots and shiny shoes. In the case of winter, wear gloves and a hood to cover behind you, as well as shoes with flexible soles to stay on the shore for countless hours. It is not the job of the wardrobe to dress you. Creators will need to know why you're wearing abilities equipment, and it's definitely not something to thank you for.
3 - Speak when you say it too, and the rest of the time, keep silent. Your ability to adapt to the most ideal capacity in the same way as the time and resources that are distributed to you. This means getting it across your seat with respect and as quickly as possible. You discover that there are two types of people, people who like to talk and people who tend to calm down. For speakers, be connected, but don't get involved in their own dramas or include them in your language. It should take forty-five minutes to put the straight makeup on a woman in all the things to consider and for a man, the procedure should be close to twenty minutes. Keep in mind that the hair still needs treatment. You will be the key individuals to see the ability at the height of the day. They have to leave your optimistic seat, they don't look that way. You can assign an entire workday mentality to the rest of the team. If it starts badly, it won't take long to find out who the culprit is and you don't need to be yourself. On the set, the receivers used by the audio desk are sensitive. Keep notes when cameras rotate.
4 - The finishes do not mean a renewal after each cut. Men generally don't like cast iron very much. So when you approach them, there must be a good reason. Woman, everything on the lips and eyes. Get a mirror and a curler all the time and everything that is needed. Remember, you're asking a completely strange person to trust you to make it look good and keep it, no matter how long the day-to-day photography takes. The only way to win is to listen to their needs and stay on top of your business. Also, if you can do something like a black eye or a slight effect, do it there. Try to absorb the production and not take it off by wasting time attracting talent to trucks or off-site. Managers, producers and anyone in authority will notice and remember it. This is how we contact you or refer to other functions. So always be prepared for the unexpected. FX plate and blood should always travel with you. Take photos of your work and reference it. It is not the job of a script supervisor or a continuity person to do it for you.
5- Respect for the chain of command. If you have a problem with an actor or crew member, skip to your key or section head separately. If you can't, go to the production manager or direct product. If not everyone succeeds, the product will be your final destination. You can also speak to the crew representative for most of the features. One crew member is chosen to be beef and pork. If you need to speak to the manager, go to my first birthday. He or she will determine if your application needs the manager's attention. If you have to take into account the camera lenses, ask your operator or your cinematographer. The same is true if you have a shy actor on one aspect of his face. Tell the cinematographer and he will adjust the lighting to help you or try to prefer the best side of the actor. It is in their interest to keep the talent beautiful and happy too. Do not touch the wardrobe or hair unless instructed to do so. These are not your services and if you change anything it can affect continuity. If you need to define something, take a photo and give it a copy. Never place your tools on the camera or the soundbar. They have expensive equipment and you will only be told this once. Keep your kit with you and you will never get lost. If there is a problem with the calendar or during contact hours for the actors speaking at the second announcement, they form the calendar with the first announcement. Make friends with the third ad or trailer. Always give them accurate and precise estimates and they will try to save time for you by activating interference when the group is concerned about the start of filming.
6 - Know your rights. Do the makeup. Do not cut hair unless you have a license to do so. This puts you and the production in a position to continue and gives the insurance company the excuse you need to cancel the production policy in the event of an error. Do not wear contact lenses and do not take responsibility. The optician has a certificate which makes him legally qualified. They are trained to help put on and take off contact lenses and to store and care for them properly. You can spread eye diseases again. Corneal scratch or even a blind actor. This is not the way to end their careers because the production will be looking for someone to blame and if you are involved, it will be you.
In general, take care of yourself physically by taking vitamins, monitoring your diet and trying to exercise if possible. Don't get paid if you don't work and miss more than a few days and you will be replaced. Be aware of your group and station by staying clean, tidy and distributing makeup in a healthy manner. Learn about allergies, be gentle and stay on top of your job. Don't be the first to comment on the door at the end of the work day, so help where you can be on the team. A little goodwill goes a long way. Do your job and do it well and you will continue to work, and you don't already know the answer.
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